Well, in most cases, I think that’s nonsense. “Talent” is overvalued. Talent is defined as a natural aptitude or skill. That’s it. It’s not a mystical ability, it’s not your predetermined destiny, it doesn’t mean you can’t do the job, and it doesn’t mean that you can succeed without practice training. Neither does it mean that you will love whatever you’re talented at or that you will become rich if you pursue your talent. It simply means you have some things that you lean toward being able to do well. Most of us have several talents. Yours may be dancing or painting, or maybe you can tie a knot in a cherry stem with your tongue.
For some reason, I’m a very talented seamstress. I picked it up easily and have completed many projects that people tell me show real skill and aptitude. The problem is, I hate it. It frustrates me to no end and I always end up wanting to poke my eye out with a needle. I’d never make a career out of it. I’m far less naturally talented as a writer, yet this is how I make my living. I chose it because it’s what I really love to do, unlike sewing which is painful for me. While I may not be “naturally gifted” as a writer, I’ve managed to overcome my lack of natural talent in other ways.
Practice is essential, whether you’re talented or not. Estimates are that it takes 10,000 hours of practice to become a success or expert at any given thing. So that’s 10,000 hours at the keyboard, easel, or gym. These estimates don’t differentiate between talented and untalented people. It doesn’t take a talented person only 5,000 hours of work, it still takes 10,000. No matter who you are, you have to practice and work at whatever you want to be good at. There’s no shortcut, whether you’re “talented” or not. Everyone has to put in the work and sacrifice other fun things in order to become a success.
In addition to practicing, you have to be trained/educated in whatever skill you want to pursue. That might mean a degree, continuing education classes, lessons, coaching, or apprenticing with a master of your craft. However you do it, you have to receive instruction from a qualified teacher. Nobody wakes up and plays Mozart without some lessons. If you pursue your education and training, find good teachers, and keep advancing when one teacher can no longer teach you anything new, you’ll find yourself slowly mastering your craft.
Dedication And Drive
To succeed at anything, you have to want to do it. I’d never succeed as a seamstress because I just don’t want to. But I can succeed at writing because I want to do it. More days than not, I feel like I have to write or my day isn’t complete. I’m also driven to succeed because this is how I make my living and, frankly, I don’t think I could do anything else. So I have to make this work or I’ll starve. That drive and dedication pushes me to practice on days I don’t want to. It gets me out to conferences when I’d rather watch TV. If you are dedicated to your craft and you have the drive to succeed at it, talent doesn’t matter so much because you will keep working and pushing even when you’d rather not. Some talented people rest and take it easy, thinking their talent will carry them. The “untalented” can often surpass such half-baked efforts through hard work.
Loving what you do (or at least believing strongly in the value of the work) is a big part of whether you will succeed or not. You may be immensely talented at something, but if you hate it or see no value in it you’ll never put in the hours to perfect it, or have the dedication to keep working at it when you’re feeling like doing anything but. If you have a deep passion for your interest or craft, you’ll want to do it and that will lead you to perfect your skills.
I may enjoy writing, but I don’t enjoy drawing, illustrating, or putting together PowerPoint presentations. I’m not good at it, either, and I don’t have the inclination to learn. Whenever I have to do something that requires illustrations, I have people that I collaborate with. They fill in my weak spots. Similarly, if they have work that needs text, they often call me to write the words. We all work to our strengths. This means that I can take on work that I wouldn’t normally get, and they can, too. If you have areas of your craft at which you don’t excel, chances are that you can find someone to cover your weak spots.
This doesn’t mean that you have to be sunny all the time. No one is. However, you have to be able to see the positives in your progress. I get rejected. A lot. But I learn something from most of them. That’s the positive. Sure, the rejection hurts, but I have a positive attitude about it and realize that I’m learning and that I’m at least putting my work out there. A lot of people never even get that far. When I get criticism, I try to take that positively, too. If I got down about every negative thing that was said about my work, I’d never write another word. Fortunately, there are more positives than negatives so I’m able to tell myself I’m not a failure. Keep a positive outlook and you’ll keep moving forward. Get mired in the negatives and you’ll never succeed.
Excel In Other Areas
You can probably name a bunch of people who are hugely successful yet their work is mediocre (and worse than yours, if you do say so yourself). How did they succeed? It may have been being in the right place at the right time, but chances are it’s because they excel in other areas. Maybe they aren’t a great painter, but they are a savvy businessperson who is able to get their work shown in the right places and make sweet deals. Maybe they can’t write their way out of a paper bag, but they tirelessly (and shamelessly) marketed their work until it found an audience. Maybe this person is just so professional in their conduct (never misses a deadline, treats everyone with respect, turns in work that doesn’t need more work, etc.) that people seek them out just to have the chance to work with them. If you worry that your “talent” isn’t enough, make yourself skilled in other, complimentary areas. It might make you stand out in a sea of mediocrity.
Patience And Perseverance
Nothing comes overnight, not even for those who are “talented.” Nobody wakes up one day and paints a perfect piece of art, or writes a publishable novel. Even overnight successes are usually anything but. Most have put in years of effort at something. They worked, they failed, they worked some more, maybe they finally had a moderate success, and then, bam, one day it all came together and now they’re a sensation. They were patient and kept working. They didn’t give up or try to rush something that wasn’t working. They waited, watched, learned, and worked some more. They paid their dues or networked until, finally, all that patience and perseverance paid off and they achieved “success.”
Talent is largely a myth. What matters is how hard you work and how much you want to succeed at whatever you’re doing. If you’re willing to put in the hours, make the sacrifices, and get proper training, you may find yourself succeeding when you don’t have “talent.” You can have all the natural ability in the world, but without work and dedication, that talent will just lie there unused, which makes such a person no different than someone with no innate talent. What separates successes from failures isn’t talent, it’s work.
Finally, I’m not the only person who is saying this – Malcom Gladwell’s most recent book is called Outliers: The Story of Success. It pretty much says the same thing I do – only with data and facts. The book is a best seller and retails for something like $11 bucks on Amazon.com. I would definitely pick up a copy if you want to learn more about what it takes to be successful.
(Photo courtesy of San José Library)
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